Big Sur Writing Workshop Notes

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Trudging up the path to the conference center at Big Sur Lodge

It’s been ten days since I walked (okay, drove) out of the woods at the Big Sur Writing Workshop, and I’ve had a lot to think about–and work on. I got good feedback on two projects and left with a clear idea of which one to work on first and what to do with it.

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Andrea Brown organizes these workshops. Here she’s introducing writer Eric Adams, who gave a great talk on theme, plot, and character.

That, I believe, is called progress!

Here’s what I liked about this workshop:

  1. Critique groups were small and you got specific feedback on your work that you could use for an immediate rewrite.
  2. Because one of my group leaders was an agent (with good, sharp insights, btw), I also got to see how an agent thinks about submissions–what seems marketable and what is off-putting.
  3. Because my other group leader was an author and screenwriter, I got another kind of feedback that was every bit as helpful in a different way.
  4. I heard other works in progress that I really liked, and that made me value the writer-to-writer feedback I got even more.
  5. The faculty was smart and accessible, eager to talk to you even when you might have felt a little shy about imposing on them.
  6. Everyone attending was friendly–and I didn’t meet a single person who felt the need to show off.
  7. I left challenged to improve my novels and encouraged that they have a future.
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Nice people attending, including Nadine (front, right) who wound up sitting with me maybe more than she might have liked.

Despite years of attending work events and mingling with people, I still find that activity exhausting. One of the nice things about the Big Sur group is that lots of other people seemed to feel the same way, so people were sociable but not too. There was enough down time to write and regroup. Maybe not enough time to sleep. But I caught up on that later.

I emailed Caroline after it was over, letting her know it had been good for me to attend. Here’s what she wrote back: “That is so exciting about the coach’s feedback. Think of how far we’ve come since you got us started last January!”

That really made me smile. With just a couple of weeks left in this year, I can see we are getting somewhere, both of us, because we’re making a focused effort to do it, helping each other keep going, and being just a little more aggressive.

The workshop, in case you want to know more, is organized by the Andrea Brown Literary Agency and The Henry Miller Library. It lasts for one weekend. The focus is children’s literature. You can find more details here.

Blogging When I Should Be Packing

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My well-used Kami Kinard handouts, in their special orange file folder

In a few hours, I’ll be dashing off to the airport, so that I can attend the Big Sur Writing Workshop this weekend. Writing a blog post is the last thing I should be doing right now, but I had a couple of thoughts to jot out before I go.

First of all, wow, the impact that one 90-minute workshop can have on your writing life. Back in May of 2014, I registered for a little session led by writer Kami Kinard at the S.C. Book Festival. I still have the simple handouts, and they’ve made so many things possible. Because of Kami, I applied to and was accepted for the Rutgers One-on-One Conference, a great experience that gave me a huge boost in confidence. I also joined SCWBI and went to one of their conferences.

I’m going to the Big Sur workshop because of Kami’s class, as well. If it provides even half the help that Kami delivered, it will be fantastic. And it’s in Big Sur, so how can it not be, really?

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Caroline at The Gourmet Shop, where the table is much less cluttered than mine

Also on my mind is the help Caroline gave me as I stood at my dining room table this afternoon, wired on espresso, trying to settle on what pages to pack for my two critique sessions. I had ideas, but it helps so much to have her thoughtful take on things. As I’ve said so many times, the deliberate approach she takes to work is such a great counter to my many-things-at-once style. (BTW, she’s working on finalizing her novel, chapter by chapter, but I’ll let her write the update on that.)

So, here I go, hoping to move two middle grade novels a little closer to published status. One is a story I’ve been working on for a long time. The other is a draft I’ve just finished. And of course, there are others. But it looks as if they’ll have to stay at home this time and wait their turn.

Anxiety, Finishing & Submitting

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Deckle Edge festival water, in case this anxiety workshop causes Jenny’s mouth to feel dry

I’m now back at home, calmly cooking bacon on this Sunday morning. But a few hours ago, I was waking up early, dressing myself in real clothes (as opposed to fake “athleisure” wear), and attending a writing workshop that I only signed up for late yesterday afternoon.

The workshop title? Overcoming Creative Anxiety: 5 Steps to Jumpstart Your Writing & Remain Calm

The instructor: Cassie Premo Steele, a writer who runs regular programs to help people (especially female people) push through all the reasons they cook up to avoid finishing and submitting their work.

I arrived five minutes before class time, which I thought would eliminate any anxiety that could be caused by rushing.

I was wrong.

The location had been changed, though I didn’t know it. A noisy Presbyterian congregation was gathering in what I’d thought to be our classroom space. I bumped into a classmate, another last-minute enrollee who hadn’t gotten the message. Her anxiety level was extra-high as she scurried down the block ten steps ahead of me, out of breath and fretting that she would be late for class.

I began to feel anxious about being so calm. Maybe I wasn’t anxiety-ridden enough for this workshop.

Just as my classmate had feared, we were late–but our soothing, confident instructor folded us into the mix with ease. She presented five stages of writing, from idea to submission, touching on the way anxiety plays into each.

It was helpful, not in a zap-aha-breakthrough way but in a why-of-course-I-know-that kind of way, which is better and much less anxiety-inducing. (Me to myself: See Maxwell, you haven’t been doing it all wrong!)

Three ideas I’ll be using right away:

1. When you’re stuck, set a two minute time limit and do something.  I teach this approach all the time in my writing classes, just used it in a comics class I took.  So why am I not using it to do things like find three agents or tackle that query letter or write that last scene of my book?  I have no idea.  But now that I’m reminded of how well it works, I’m using it more often.

2. Know your purpose and take a “servant of your message” attitude.  That second part doesn’t come from Cassie’s words, exactly. They’re the words we use at The Buckley School to help people overcome their fear of public speaking. It makes perfect sense that it can work for your writing, too.

The idea is to put the focus on how your work is serving an audience rather than worrying about yourself and what people think of you. You take your big, fat ego out of the equation.  At The Buckley School when we introduce this idea, people say, “but if my ego were bigger, wouldn’t I feel more confident?” But it’s your ego–your worry about self–that gets in the way. As someone who’s had to overcome a fear of public speaking in order to teach it, I know that taking a servant-of-your-message approach has been a huge help. I’m not sure why I haven’t applied the same approach to my writing.

Cassie explained her thoughts about purpose using examples. Here’s one: You lose sleep to care for a sick child and it’s a good thing, because you know your purpose. You lose sleep because of insomnia and it’s a bad thing, because you have no purpose and instead dwell on “what’s wrong with me.”

3. Think of submitting as getting the help you need to fulfill your work’s purpose.  This is a new idea for me. I like it. Cassie suggests you think of submitting as a 50-50 proposition: I’ve done my very best work. Now I need the help of agents, editors and publishers to find and serve the readers.  That puts it on a different footing, yes? You are not asking for rejection. You are looking for the right partner to help.

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Cassie Premo Steele (left) speaking with students after our workshop

Cassie’s workshop was part of this weekend’s  Deckle Edge Literary Festival, organized by the people behind Jasper magazine.  Cassie writes about and teaches this subject full time, and you can find out more about those classes and her work here.