Publishing

Writing and Waiting

/ Caroline Lord / Leave a comment

After spending two years writing my middle school novel, I thought I was finished, but it turns out, I wasn’t.

I was trying to send it out before its time. Or at least, that’s my rationale for the five literary agent rejections I received (smiley-face inserted here).

After those five rejections, I decided to pause and have an editor, Kate Juniper, read it.

The Waiting  — After a few weeks, she sent the novel back to me with great ideas and directions. She saw much that was good, but also ways to make the novel even better.

Writing Again  — At first, I didn’t want to touch it. I was attached to the way it was originally written. In a fit of nostalgia, I saved the original novel and created a copy for editing the novel.

I’m now following Kate’s excellent directions one at a time so that I don’t become overwhelmed.

Once I got into rereading, the parts that weren’t needed became obvious. Certain scenes didn’t serve the story or they weren’t propelling the plot forward. Now that I have a finished product, I can play with it, move sections around, add sensory details….it feels easier.

I’m working on the novel until the end of February. Then I’ll send it back to Kate in early March.

The Next Waiting — Her second full content editing round may take a month to six weeks.

Then it’s back to reaching out to agents. And lots more waiting!

And even if my novel is lucky enough to enter the publishing system, it still takes a long time, because the traditional book publishing world moves slowly.

Sometimes, the agent wants revisions before he or she will submit to editors. This can be 1-4 months or longer.

Pitching the novel to publishing houses can take 2 months to 2 years. It’s anyone’s guess.

If a person gets a book contract, the time between receiving the contract until your book is published can take 9 months to 2 years because of revisions back and forth between editor and writer.

I need to accept the fact that it’s just going to take a long time. Patience is a virtue. I better start gathering some up!

 

 

Query Letter and Synopsis

/ Caroline Lord / Leave a comment

In a few weeks, I want to contact literary agents with my young adult novel. I wrote this post to wrap my mind around how to go about it, and maybe, help other people in the process.

Literary agents help navigate the business side of publishing a novel.

They will negotiate a stronger contract with the publisher than you could manage by yourself.  Agents usually take around a 15% commission on the sale of your book.

Start with five or so agents who might be a good fit. Make sure they’ve represented authors with books similar to yours.

Each agent has specific submissions guidelines. So it’s important to follow his or her instructions on how to submit.

A few things to consider before reaching out.

First, finish your book before contacting agents. Because if they happen to like it, they may ask for a partial or complete manuscript, and it would be a bummer if you had to tell them it’s not ready or do a sloppy job rushing to complete it.

Next, it’s time to write the query letter and synopsis. Some agents just want a query letter from you. Others want a query and a synopsis.

They’ll also ask for some portion of your novel. Some want to see the first chapter, others, the first few paragraphs. Every agent is different.

For the query letter, keep it professional and brie­­f. One page should suffice.

The query should include:

– Why you are reaching out to the agent in particular. Make it specific. Agents want to know you’ve done some homework about who they are. That you’re not simply randomly sending out queries.

– The genre, word count, title.

– The hook -100-200 words of enticing description about your novel – make it a short encapsulation. Think of what the book jacket on your novel would say.

– Here is one way to breakdown the hook:

The protagonist and his/her conflict.

The choices the protagonist has to make.

And what Jane Friedman calls the sizzle.

– End with a short sentence about you and a thank you and closing.

Now for the synopsis. From my reading, people seem to dread writing this, and I can understand why. You have to boil your novel down to 1-2 pages.

The synopsis is designed to introduce the main characters and the story’s three acts. Basically, a summary of what happens in your book, but don’t explain every single detail of the plot because it will seem plodding and mechanical. A synopsis should also include the character’s feelings and emotions to make it more engaging.

Write it in present tense. If the novel is in first person, still use third person. And you should include the ending for the agents so that they have a complete overview of the novel’s arc.

This blog post breaks down a synopsis outline similar to the hero’s journey.

I read that many agents look at the query letter, then the chapters you send and then the synopsis.

If an agent is interested in your work, I was told by someone in the publishing world to ask for 48 hours to think about it. That way, you’re not rushing into this important agreement, because this partnership could potentially be long-term and deserves some thought.

If you get no bites from the first five agents, it might be a sign you need to take a pause and reevaluate your novel. But don’t give up!